After that, the studio tried a reinvention of the hero through the "Ultra N Project", which involved three heroes: Ultraman Noa (the "mascot" of the Ultra N Project, who appears in stage shows as well as in the final episode of Ultraman Nexus) in late 2003, Ultraman Nexus (2004, CBC), and ULTRAMAN (2004, Shochiku Productions).
EMUPARADISE ULTRAMAN FIGHTING EVOLUTION REBIRTH SERIES
Sequels to the original series are: Ultraseven (1967, TBS), The Return of Ultraman (1971, TBS), Ultraman Ace (1972, TBS), Ultraman Taro (1973, TBS), Ultraman Leo (1974, TBS), Ultraman 80 (1980, TBS), Ultraman Tiga (1996, MBS), Ultraman Dyna (1997, MBS), Ultraman Gaia (1998, MBS), and Ultraman Cosmos (2001, MBS). The show Ultraman was followed by many other series. If these concerns cannot be met, a city like Tokyo could be destroyed. Ultras always try to avoid battles in inhabited areas or near innocent bystanders, and try to minimize collateral property damage. An Ultra being can be revived with a massive energy infusion, as when Mebius' allies revived him with their energy after his defeat by Alien Empera's army. Ultra beings also appear to be near-impossible to permanently kill, as several times an Ultra being has been killed, only to be revived by another member of their species. The latter process has healing properties that include reviving a recently dead person with their own life force. This forces an Ultra to either assume a human form or merge with a human host body. Due to human pollution and the light filtering effects of the atmosphere, an Ultra can remain active on Earth for a limited span of minutes before their energy is depleted and they die.
The Ultras that are sent to other worlds are given Color Timers, or "warning lights", which blink with increasing frequency and turn from blue to red if an Ultra's energy supply dwindles or he is mortally wounded. They share a strong cultural sense of justice and duty, a majority of Ultramen joining the Space Garrison ( 宇宙警備隊, Uchū Keibitai ) to maintain peace in the universe from alien invaders and monsters. Ultraman and his many kind are usually red-and-silver (although several color variations have been seen in recent years) and have glowing yellow almond-shaped dome eyes (although there are exceptions to both the shape and color) and various abilities, most notably firing energy beams from their crossed hands and flight. They had evolved into their current state of being following the activation of the Plasma Spark, which replaced their dead sun. Ultraman Nexus Junis statue outside Bandai HQ in Tokyo.Īs revealed in Mega Monster Battle: Ultra Galaxy, the Ultras are a technologically advanced civilization originating from a planet within the M78 nebula ( M78星雲, Emu-Nanajūhachi seiun), three million light years away from Earth (not to be confused with the Messier 78 nebula)-colloquially called the Land of Light ( 光の国, Hikari no Kuni )-who were originally identical to humans. References to Ultraman are abundant in Japanese pop culture, much like references to Superman in U.S. Ultraman was the world's third top-selling licensed character in the 1980s, largely due to his popularity in Asia. In Japan, The Ultraman brand generated US$7.4 billion in merchandising revenue from 1966 to 1987, equivalent to more than $18 billion adjusted for inflation.
However, the series also falls into the Kyodai Hero subgenre of tokusatsu, a subgenre it also helped popularise. The series is also one of the most well-known examples of the kaiju genre, along with Toho's Godzilla series and Daiei Film's Gamera series. Debuting with Ultra Q and then Ultraman in 1966, the series is one of the most prominent tokusatsu superhero genre productions from Japan, along with the Toei-produced series Kamen Rider, Super Sentai and the Metal Heroes. Ultraman, also known as the Ultra Series ( Japanese: ウルトラシリーズ, Hepburn: Urutora Shirīzu), is the collective name for all media produced by Tsuburaya Productions featuring Ultraman, his many brethren, and the myriad monsters.
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